The Old Town of Pingyao is in Pingyao County, in the center of Shanxi
Province. It was constructed during the reign of King Xuan of the Western Zhou
Dynasty (C.1100-771B.C.) and has been the county seat ever since the
establishment of the prefecture-and-county system in ancient China. Today,
Pingyao looks much the same as it did during the Ming (1368-1644) and Qing
(1644-1911) dynasties and is the best-preserved historic town in the regions
populated by the Han ethnic group.
Pingyao is known mainly for three historical treasures: the ancient
large-brick city wall, the Zhenguo Temple, and the Shuanglin Temple.
The city wall of Pingyao was originally built with rammed earth and was
rebuilt with bricks in 1370, the third year of the reign of Emperor Hong Wu of
the Ming Dynasty. The city wall extends for six kilometers and testifies to the
profound influence of Confucianism in this region, as the disciples of Confucius
are said to be represented by the 3,000 embrasures on the wall and the 72 best
disciples are represented by the 72 small watchtowers. In the later period of
the Qing Dynasty, the Kuixing Pavilion was built on the southeast section of the
wall and became a symbol of the flourishing culture of the ancient city.
The Old Town of Pingyao was constructed according to the traditional
planning and building style of the Han ethnic group and was laid out according
to the functions of its different parts. Four large streets, eight smaller ones,
and 72 lanes made a neat grid. Symmetrically arranged along an axis, the private
houses were constructed either in the style of courtyard houses or in the style
of manmade-cave houses, all with local features. Today, Pingyao still has 3,797
courtyard houses, 400 of them especially well preserved. In addition, richly
decorated temples and shops are scattered all over the town. These old buildings
bring back a scene of the flourishing town of Pingyao during the Ming and Qing
periods.
The Zhenguo Temple, located in the northeast part of the city, was built
1,000 years ago, and its Hall of Ten Thousand Buddhas (Wanfo) is the third
oldest existing wood building in China. The painted statues from the Five
Dynasties period (907-960) inside the Wanfo Hall are listed as precious works of
sculptures.
The Shuanglin Temple, with its ten halls, is located in the southwest part
of the town and was rebuilt in 571, during the Northern Qi Dynasty (550-577).
The temple houses more than 2,000 painted clay statues from the Yuan Dynasty
(1271-1368) through the Ming Dynasty and is known as the Treasure House of
Painted Sculptures.
Other treasures in Pingyao include the Hall of Great Achievements in the
Temple of Confucius, reconstructed in 1163, and the Qingxu Temple, originally
constructed in 657.
Pingyao occupies an important place in the financial history of modern
China. It was the location of the Shanxi Commerce and Rishengchang Piaohao, a
kind of banking firm dealing mainly in the transfer of money. The now-defunct
firm is considered to be the predecessor of modern banks in China. During the
Ming and Qing dynasties, along with the development of economy and commerce,
several large commercial firms of Shanxi Province opened branches outside the
province, thus establishing a trans-regional business network. The circulation
of commodities and the transfer of money gave rise to the piaohao.
In 1824, the Rishengchang Piaohao, the first banking firm in China, was
established on what had been the site of the Xiyucheng Pigment Shop on Xidajie
Street. Three years later, Rishengchang opened branches in Shandong, Henan,
Liaoning, and Jiangsu provinces. In the 1840s, it expanded its operations to
Japan, Singapore, and Russia. Following the example of Rishengchang, more than
20 piaohaos opened one after another in Pingyao, turning the town into the
financial center of China.
Remembering Pingyao's glorious past, the local people have protected and
preserved the old town. On December 3, 1997, at the 21st session of the World
Heritage Committee of UNESCO, Pingyao was put on the World Heritage List.
'The Old Town of Pingyao is an outstanding example of the Han cities in the
Ming and Qing dynasties, retaining all the features of these periods. Pingyao
presents a picture of unusual cultural, social, economic, and religious
development in Chinese history.' from a report of the World Heritage Commission
of UNESCO.
Ancient Financial Street
The Ancient Ming and Qing Street, that is the South Avenue of Pingyao, is
an essential cultural relics of the county. Reputed as the 'Wall Street of
China', it used to be the most prosperous part of the county and the financial
center of China.
The Ancient Ming and Qing Street is located in the centre of Pingyao and
forms the axis of the county. The street which stretches for over 750 meters, is
unique in its concentration of as many as one hundred shops and local houses in
the style of the ancient Ming (1368-1644) and Qing (1644-1911) architecture. In
the past the businesses that these shops encompassed involved nearly all fields
of commerce including finance, medicine, silk, clothing, fans, lanterns and
general merchandise, Now, although some shops have become museums or have
changed the types of business they house, all retain their original appearance,
making this street an excellent location to see historic buildings of the Qing
and Ming period. The street is also a place where some local souvenirs can be
purchased and some of the unique local snacks can be sampled.
The ancient City Tower, which is situated in the center of the street, is
the highest building of Pingyao and also forms its axle center. It is also the
best point to overview the county.
Qiao Jia Da Yuan
The prosperity of the Qiao Family originated with Qiao Guifa who was an
orphan and made a living as a servant during the reign of Emperor Qianlong (1711
- 1799) in Qing Dynasty (1644 - 1911). He first started a business when he met
his business partner, Qin. Initially, they sold fodder, bean sprout and bean
curd. Several years later, they had become very wealthy. The 'golden age' for
this family was under the instruction of Qiao Zhiyong who adopted the principles
of being industrious, modest and generous. The family fortunes began to decline
due to the large amount of money offered to the Qing Army and the spoliation of
the Japanese army.
The compound was first built in 1756 in the Qing Dynasty and renovated
twice and enlarged once. When people first saw the compound, they were
astonished to find that the complex was so large and magnificent; however, few
knew that the value of the compound was less than one percent of the family's
(fortune) asset. Situated in the central part of Qiao Town, Qi Xian County in
Shanxi Province, it occupies an area of 8,274 square meters (about two acres)
with a construction area of 3,870 square meters (about one acre). It consists of
six main courtyards, twenty smaller courtyards and 313 rooms. The family built
the complex like a castle for safety, as well as to create tranquil surroundings
in which to relax, far away from the furious competition of the business world.
With three sides facing the street, it has ten-meter (about 32 feet) high
parapet walls (a kind of wall as high as the house, used to keep the yard safe).
Some girls in large families could not resist the temptation of the outside
world, so they managed to climb up the high wall to look at the outside world
that was forbidden to them. Gradually, this kind of wall became known as 'Nv'er'
(daughter) wall. The exquisite design and meticulous craftsmanship make these
walls unrivalled.
Viewed from above, the Qiao Compound looks very much like the double
Chinese character of 'xi', which means happiness and luck. As one enters through
the main gate, an eighty-meter (about 262 feet) long paved path leads to the
main hall, at the western end of which, is the ancestral temple of the family.
This path divides the compound into two parts: the Southern Yard and the
Northern Yard. The Southern Yard is further divided into three sections
respectively called the Southeast Yard, the South Yard and the New Yard. The
three subdivisions of the Northern Yard are respectively called the Old Yard,
the Northwest Yard and the Study Yard. The given names reflect the location of
the yards within the compound. Another important feature of the compound is the
fact that the roof of every house is connected. This makes it easier for guards
to protect the yard. What's more, the 140-plus chimneys on the roof all vary
from each other in their design.
The Qiao Compound gained its renown not only for its large scale but also
for the exquisite craftsmanship reflected in the brick carving, woodcarving and
murals.
Brick carvings can be found on the wall and balusters, depicting various
subjects such as flowers (traditional propitious pictures in the culture of
Shanxi Province). For example, the carving on the corbie-step doorstep of the
third yard shows Kylin (a mascot in Chinese culture) carrying a son to a mother
figure. They caved this picture in the hope of having more male offspring.
The wood carvings are widely praised for they are extremely lifelike and
possess some kind of meaning. For example, the caving of the three gods of
fortune, prosperity and longevity can be found on the main gate of the second
yard. These three gods represent all human desires, so they are very popular in
China.
Beautiful gold murals are located under each eave of the compound. Some of
these paintings portray fables and some others concern more prosaic subjects
such as flowers, birds, railway lines, railway stations, clocks, etc. Although
exposed to the wind and sun for hundreds of years, they are still shining!
There are many tablets in the compound, two of which are most valuable.
The tablet 'ren zhou yi fu' displays the handwriting of Li Hongzhang
(1832-1901, a famous general in Chinese history during the Qing Dynasty). At the
time when the Qing Army was at war with the invaders, the Qiao Family donated
400,000 taels of silver (705,479 ounces) towards a warship. Li wrote this tablet
in praise of their patriotism.
The tablet 'fu zhong lang huan' was presented to the Qiao Family under the
verbal instruction of the Empress Dowager Cixi(1836-1908) who made her escape
after the Eight Powers Allied Army seized Beijing. When she arrived in Shanxi
Province, the Qiao Family donated 400,000 taels of silver (705,479 ounces) to
pay for her journey.
In 1985, the local government set up the Folk Art Museum of Qixian County,
exhibiting 5,000 objects of folk custom in the compound grounds. These objects
concern folk art, agricultural custom, clothes, foods, shelter and means of
travel. Many films were also shot here, among which the most famous being 'Raise
the Red Lanterns' featuring Li Gong. Therefore, information and materials on
these films are exhibited, too.